Introducing Reed

Last year, I spent some time doing some genealogical research on my family tree. That research basically confirmed two things: 1) I'm just about as American as you can get and 2) it's pretty much farmers and ranchers all the way down.

My father was born on a farm in northwestern Missouri, and while they moved to California when he was a young child,  leaving the farm life behind for good, I still feel like there's still some farmer in my blood.

Granted, the scale of my gardening harvests belie any natural talent in that area, but I have pull to land and a deep appreciation for those who do the hard work of tending to the plants and animals that give us food and fiber. 

Just as my perennials bloom again each year, my family's rural past is a source of inspiration I return to again and again. 

Reed, knit in Quince & Co's linen yarn has a naturally earthy texture that blocks beautifully to show the crisp lines of freshly-plowed fields and the leafy vines that grow from that well-tended soil. 

The lace band is knit first, with the body picked up along the edge and decreased to make a triangle shawl, meaning you only have to keep track of one lace pattern at a time. 

The pattern is available for $6 USD for the individual pattern or $19 USD for the whole Sparrow 2018 Collection from the following online shops:

MsCleaver.com   ||   Quince & Co.   ||      Ravelry

If you knit it and participate in social media, use #quincereed to share and/or tag me @mscleaver !  


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Introducing Becket

My dear friend Bristol Ivy is just about to release a book called "Knitting Outside the Box." She's awesome, the book is awesome and you should totally pre-order it

But, for me, I prefer to design within the box. Or boxes as it were.

That is, I love working within constraints. I've always found that some of my best creative leaps have come from some kind of restriction, be it a writing prompt, moodboard, or budget limitation. The freedom to create anything can be overwhelming, so sometimes I like to place restrictions on myself. 

After I had designed Leading Bird and Paper Bird, I decided I wanted to do a whole series of shawls (that wide-open palette) within three rules: 

  1. It had to be inspired by a song with the word "bird" in it.
  2. It had to use a shape not in the series yet
  3. It had to use a Quince yarn not in the series yet.

So I had done a semi-circular shawl in Owl and an elongated triangle in Tern. I started by coming up with my favorite bird-referencing songs:

  • Cage the Songbird (which became the traditional triangle shawl, Tributary); 
  • "Top of World" by Patty Griffin ("I'm afraid I broke the wings/Off that little songbird;"
  • "Here Stand" by The Ballroom Theives "Well, here I stand/A bird in hand/One foot in sea and one on land" 
  • The entire oeuvre of Brown Bird

(clearly, I'm not done with this idea yet and if I allow myself to be a bit liberal with the "bird" definition, "Maybe Sparrow" by Neko Case would be on there too.)

And then my favorite band, Darlingside, came out with an album called "Birds Say" and I just had to make a shawl around the title track. 

 

My first bit of inspiration was from the way Darlingside performs - as four voices around a single microphone, which translated itself to four trapezoids around a central point in a shape that's half-scarf, half-shawl (a scrawl?). The fabric design was easy - an irregular rib based on the rhythm of the song.  I knew from earlier swatching experiments that Quince's springy Phoebe would let the ribs "pop," while the semi-solid coloring keeps the eye moving horizontally, like reading sheet music. 

All of that pulled together to become the Becket shawl (Quince picks the final names), part of their Marsh Collection

The pattern is available for $6 USD for the individual pattern or $19 USD for the whole Marsh Collection from the following online shops:

MsCleaver.com   ||   Quince & Co.   ||      Ravelry

If you knit it and participate in social media, use #quincebecket to share and/or tag me @mscleaver !  

And here's one more song for the road (because I really can't help fangirl-ing)


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Introducing Dal

I'm pleased to introduce Dal - part of Quince and Co's Spice Collection. I love Lark, Quince's worsted weight wool. It's a simple workhorse yarn, but it lends itself to texture so well - as demonstrated by the knit/purl basketweave texture and cables on Dal. Knit and purl stitches combine for a cushy body, while a stockinette sleeve keeps this cozy raglan from being too busy. The width of the front-center panel scales with sizing, to be flattering on a range of figures. 

I'm in love with the rich golden hues of Carrie's Yellow, but Dal would also look great in olivey-green, like Wasabi; a steel blue like Sage; or the deep Merlot of Barolo:

The pattern is available for $7 USD from the following online shops:

MsCleaver.com   ||   Quince & Co.   ||      Ravelry

If you knit it and participate in social media, use #quincedal to share and/or tag me @mscleaver !  

I'd love to see your version!!!


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Summer Rain Shawl in Taproot Magazine

As a child, I dreamed of summer storms.

Growing up in northern California, my summers consisted of soaking my swimsuit in the sprinkler and rushing to the driveway to leave an ephemeral body print on the concrete; of running barefoot across the hot asphalt to my friend’s house and trying not to burn my feet; of the dark towels my mother put over the windows in the daytime to keep out the heat.

I wanted my summers to be cooler, wetter. I longed for days that passed like a Country Time Lemonade commercial: afternoons spent floating in an old tire inner tube down a lazy river, swinging from a rope into the old swimmin’ hole, taking laps to the dock in the middle of the lake, numerous bodies of water inexplicably available to the same child in a 30-second spot.

I thought a summer storm would be the perfect antidote to the dry California heat, a backyard sprinkler writ large. I imagined I’d see the clouds building up, pull on my one-piece and hurry outside to dance in the warm droplets falling gently from the sky. Summer perfection wrapped up in a single moment.

Later, in my twenties, when I lived in Chicago, I learned that the reality of summer storms could be a very different thing. Chicago summers were hot and sticky. I slept on a futon mattress on the floor of a studio apartment in Hyde Park, a fan positioned on either side of my bed, hoping for a respite from the heat. The storms I wished for a child would come frequently, but no gentle sprinkle, these; instead, soaking torrents of water, best avoided, but quickly gone.

My second summer in Chicago, my husband and I had relocated to the north side of the city. I’d walk the blocks of my neighborhood on summer nights, the sticky nights made more bearable by the cool lakeside breeze. Our apartment was just blocks from Lake Michigan, and though we visited the shores often, I only swam in its waters twice. My first swim in that wide body of water was on a hot day, the water sufficiently warm, and the feel of lake-bottom plants and tiny fish against my legs a constant reminder that this was no tile-lined pool.

My second swim was on an equally hot day, but the water shocked me with it chill. I paid no attention to the flora and fauna as the icy water stung like daggers and made my toes go numb. I wrapped myself in a towel and we rushed home to change. By the time we reached the apartment, a tornado warning had come in and we watched as the clouds folded in on top of themselves, faster and faster, building up into a dense grey wall on the horizon. My hair still damp from the lake, we sat in the windowless lobby of our building and waited the storm out – the menacing clouds giving us thunder and hail and rain.

As a child, it seemed silly that summer only truly started June 21st. School had been released weeks before and the season of short-sleeves and flip-flops had been in swing well before that. In Chicago, the march of time was marked by the swing from biting cold winds to sweltering humidity. Even so, I didn’t really understand the seasons until I moved to Maine.

Not spring, summer, winter, fall. We had all of those, even in California.

But the 16-day window of Lupine Season, when the highways burst forth in spires of purple and blue and pink, or the two weeks when the strawberries are available for picking, its arrival watched for and counted in pint baskets at the farmer’s market. There is the weekend in July when the window air-conditioning units go in and month-long debate in September on when to take them out. Each week in June, July, and August seeming to be a short-lived season of its own.

Perhaps it is because I no longer live in a land of continuous produce, or because I am a gardener now, that so much of the summer is measured in food – not the dwindling canisters of powdered lemonade of my childhood or the cheap takeout of my twenties, but rather, in limited runs of fiddleheads and sugar-snap peas, of strawberries, then raspberries, then blueberries, to finally end in the bags of apples that are picked in that time between the seasons that can be alternately cold or sweltering hot.

The brevity of these seasons brings a different rhythm to my Maine summers, a sense of urgency and a need to take advantage of everything at its peak that I had never felt before. In this environment, the dozen or so summer storms take on a different role, offering a break from activity. They are not an invitation to play, nor to hide, but to simply be.

In the winter, the Nor’easter asks us to stay inside and enjoy the quiet; in the summer, the rains do the same. The storms are a chance to lay in bed and hear the raindrops ping against the top of that window air-conditioning unit, drumming out a steady tattoo that seems to say “Be still, be still, be still.”

As child, summer storms were illusive, illusionary things; in Chicago, they were wild and sometimes terrifying. Now, as an adult, they are a respite. After a stretch of hot sunny days, the plants in my garden welcome the rain. I follow their lead, raise my face to the heavens, and drink it in.

.............................

The Summer Rain shawl, inspired by my longing for those summer storms and the peace they now bring can be found in the latest issue of Taproot Magazine: GROW. They also carry kits for the pattern, which uses 2 skeins of Milo by Manos Del Uruguay, a gorgeous merino & linen blend with amazing drape that is truly one of my favorite yarns on the market right now. The issue is available on newstands and online now and you can queue up the project on Ravelry


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Introducing the Tributary Shawl

I'm pleased to introduce the Tributary - part of Quince and Co's Piper Week and the third in my Songbird series of shawls inspired by music.

"God cage the songbird
Before the feathers run brown
God bar the windows
That we may though hollow be sound

And this island shall be shackled to her waters
Here we vow never to change
Here we will stand at last for something
With no desire to pretend"

- The Low Anthem

Inspired by lyrics from the Rhode Island-based folk band The Low Anthem, this traditional triangle shawl plays with closure and openness, with the body knit in Stockinette st for the first third, before opening up into a wide lace border.  The strong lines of double yarn-overs both open up the fabric, evoking bars, and the final pattern has a feather-like texture, the connection the two lace patterns giving the shawl a feeling of downward motion, and falling feathers.

The pattern is available for $6.50 USD from the following online shops:

MsCleaver.com   ||   Quince & Co.   ||      Ravelry

 

If you knit it and participate in social media, use #quincetributary to share and/or tag me @mscleaver !  

I'd love to see your version!!!


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Introducing Ezekiel Saw

Every so often, a design bursts, Athena-like, fully formed from its creator’s head. Ezekiel Saw is one such design for me. I had a clear vision of a triangle shawl in two-similarly toned, but distinct colors with detailed open lace bands.

When I went to Knitwit, my local yarn shop, to scout yarns to bring that vision to life, I was immediately entranced by the drape and subtly marled palette of CoopKnits’ Socks Yeah! yarn.

The Wave and Wheel lace pattern of the bands creates a wheel within a wheel motif, reminiscent of an old folk song about an altogether different kind of vision that we used to sing in my high school choir: “Ezekiel Saw Da Wheel.”

“Ezekiel saw da wheel;
Way up in the middle of the air.
Now Ezekiel saw da wheel in a wheel;
Way in the middle of the air.

And the big wheel run by Faith, good Lordy;
And the little wheel run by the Grace of God;
In the wheel in the wheel in the wheel good Lord;
Way in the middle of the air.”

I'm also pleased to say that for the first time, I'm offering kits for one of my designs!

The Ezekiel Saw kit is exclusively available through MsCleaver.com and comes with all the yarn needed to complete the project, a printed pattern, and a sturdy cotton drawstring project bag. You can also purchase the suggested needles if desired. 

The PDF pattern is available for $6.00 USD from the following online shops:

LoveKnitting (coming soon)   ||    Ms. Cleaver Creations    ||    Ravelry

If you knit it and participate in social media, use #ezekielsaw to share or tag me @mscleaver !  

I'd love to see your version!!!

Photos by Bristol Ivy


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Introducing the Paper Bird Shawl

Paper Bird shawl by Leah B. Thibault for Quince and Co.
Paper Bird shawl by Leah B. Thibault for Quince and Co.
Paper Bird shawl by Leah B. Thibault for Quince and Co.
Paper Bird shawl by Leah B. Thibault for Quince and Co.

I'm pleased to introduce the Paper Bird Shawl - part of Quince and Co's annual Shawl Week and the second in my Songbird series of shawls inspired by music.

Paper Bird is simple to knit, but results in a graceful and dramatic shawl, with biased fabric framed by clean ribs and a distinctive edge of sharp points. Knit in Quince & Co's silk/wool blend Tern, the shawl has gorgeous drape. The shawl can be worn spread out as shown, or the shawl's texture makes it easy to fold up and wear as a cozy scarf.

After the ribs are firmly established, the knitting flows easily off the needles. In some ways, the story for the inspiration behind this pattern is longer than the actual pattern itself.

Do you, do you remember? That time you told me you would unfold me like a paper bird?  -Heather Maloney, Word for Word

While listening to the song "Word for Word" by Massachusetts-based singer-songwriter Heather Maloney, I was struck by the phrase "Do you remember that time you told me you would unfold me like a paper bird?"

If you've known me for any length of time, chances are you've seen me make a paper crane ranging in size from over a foot tall (from flip-chart paper) to smaller than your pinkie nail (from a post-it). 

When I was ten or so, I read Sadako and the Thousand Paper Cranes in school, which tells the story of a young girl who gets cancer as a result of the Hiroshima bombings and begins folding paper cranes in line with a Japanese legend that a wish will be granted to anyone that folds 1,000 cranes. We learned to fold cranes in class and while I haven’t been striving for any specific wish, I have probably made nearly a 1,000 cranes since that day. But I don’t know that I ever unfolded one, it seems sacrilegious somehow.

The Paper Bird shawl is my attempt to capture the elegance of a live bird’s wing, along with sharpness and folds of its origami counterpart. Through the combination of ribs and bias stitching, the shawl takes on the quality of unfolded origami.

The pattern is available for $6.00 USD from the following online shops:

Quince & Co.   ||      Ravelry

If you knit it and participate in social media, use #quincepaperbird to share and/or tag me @mscleaver !  

I'd love to see your version!!!

Paper Crane
Making Me Break

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Introducing the Fireside Shawl

Fireside Shawl by Leah B. Thibault from Weekend Wraps
Fireside Shawl by Leah B. Thibault from Weekend Wraps
Fireside Shawl by Leah B. Thibault from Weekend Wraps
Fireside Shawl by Leah B. Thibault from Weekend Wraps
Fireside Shawl by Leah B. Thibault from Weekend Wraps

As a reader, wanna-be author, and daughter of a librarian, I have always loved books. So I'm beyond thrilled to actually be in one myself!

Weekend Wraps is the third collaboration between Cecily Glowik MacDonald and Melissa LeBarre (following Weekend Hats and New England Knits) and features 18 quick-knit shawls, cowls, scarves and shrugs from 15 designers. The book is due out in August, but is now available for pre-order from Amazon or your local bookstore or yarn shop. 

The book focuses on accessories knit in worsted weight or heavier yarn, that result in beautiful knits that take only a little time but are big on style. My contribution to the collection is the Fireside Shawl.

The Fireside Shawl is generously-sized and features triangles upon triangles upon triangles. Garter stitch borders and a knit-stitch heavy pattern means that purling is limited. A easily memorizable repeat and worsted weight yarn (shown here in Spud & Chloe Sweater) make for a quick and cozy knit.

The book also includes designs by Amy ChristoffersAngela TongBristol IvyCarrie Bostick HogeCecily Glowik MacDonaldEmma WelfordJocelyn TunneyKate Gagnon OsbornKristen TenDykeLeila RaabeMelissa LeBarreRachel SteckerTanis Gray and Thea Coleman.

You can check out all the designs and queue up your favorites on Ravelry

All photos courtesy of Interweave
 


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Introducing the Leading Bird Shawl

Leading Bird Shawl designed by Leah B. Thibault for Quince & Co.
Leading Bird Shawl designed by Leah B. Thibault for Quince & Co.
Leading Bird Shawl designed by Leah B. Thibault for Quince & Co.
Leading Bird Shawl designed by Leah B. Thibault for Quince & Co.
Leading Bird Shawl designed by Leah B. Thibault for Quince & Co.

Music has always been a big part of my life - singing in church as a child; piano, then harp lessons; choir and marching band in high school. It's been years since I've picked up a pair of cymbals, my harp is currently living in a closet with a half-dozen strings missing, and most of my singing occurs (quite loudly) in the car. Music is still a big part of my life, I just mostly sit on the appreciative side of the stage these days.

When I find a musician I like, I tend to be loyal for the long-haul. Like many people, I feel in love with the Marketa Irglova and Glen Hansard's music in the film Once. I was lucky enough to see them perform live as the Swell Season back when I lived in Chicago, I bought the second album on release day, and was saddened when the band broke up.

For some reason, I didn't pick up on their solo work right away, but when I caught wind of Marketa's second solo release Muna, I listened to a live stream online and was immediately hooked. The album was both lush and airy, and almost felt like sacred music (quoting the entirety of the Lord's Prayer in one of the songs helps). Even more, the album just felt like winter to me.

Long time followers of my design work know that Marketa has provided inspiration before, being the catalyst behind the Marketa Mitts I did as part of my Knitscene collection back in 2012. Once again, upon hearing the song "The Leading Bird", and more particularly, seeing the accompanying video, I was inspired.

With the Leading BIrd Shawl, I wanted to capture the mood of the video, which, to me, was both rustic and graceful. Quince & Co.'s alpaca/wool blend Owl, was perfect yarn match. The shawl itself is simple to knit. A half-circle with pi shaping means there's long stretches of simple knitting - making this a perfect on-the-go project. The lace details are worked as elongated stitches in the body and dropped stitches in the border, the with extra space created by dropped stitches giving the border a gentle ruffle-like quality.

A special shout out goes to Bristol Ivy, who provided some invaluable feedback when I was coming up with the border. Sometimes, simple is best.

The sample used ALL of 5 skeins (600 yds - worsted weight), so pick up an extra to be on the safe side.

The pattern is available for $6.00 USD from the following online shops:

Quince & Co.    ||    Ms. Cleaver Creations    ||    Ravelry

If you knit it and participate in social media, use #quinceleadingbird to share! I'd love to see your version!

Curious if I captured the feel of the song? Check out the video below and let me know if you think I got it!


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Introducing the Maian Shawl

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As a designer, my ideas often flow from or build on a previous idea. Picassco had a blue period, I get obsessed with colorwork, or texture. But usually, because of the diversity of my publishing outlets, this is less obvious because the order I design something and the order they're released are often vastly different.

This past week's release of Maian by Quince & Co. makes for a rare exception, as it was both designed and released on the heels of Lamassu. Like it's predecessor, Maian was inspired by an ancient culture. But where Lamassu looked to the Near East, Maian takes its inspiration from the areas due south of the US border.

Maian is knit in Quince's new's yarn, Piper, which is an entirely Texas-sourced wool/mohair blend. With that info about the yarn and ancient cultures on the brain, it only seemed natural to make a shawl inspired by Aztec and Mayan stair-stepped temples.

Maian is worked from the tip up, with 1/2 the increases in each section worked as end row increases, and the other 1/2 worked as cast on increases at the end of each section. The lace is a super-easy chevron-style repeat that results a graceful and not overly-literal take on its inspiration.

If you'd like to make one for yourself, the Maian pattern is available in the shop for $6 USD.

All photos courtesy of Quince & Co. by Emma Sampson

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