Introducing: krona

Back in July, when Amy & I met-up at Knit Wit to check out the Quince & Co. Yarns, we both decided that we wanted to design something new with it. In making this project, Quince & Co.'s Chickadee has quickly become one of my new favorite yarns - and it's seemingly endless color range has pushed me into a bit of a colorwork phase.

As soon as I had my colors in my hands I knew I wanted to do some kind of diminishing colorwork pattern with the yellow fading into blue.  The color combination also had me thinking of the Swedish flag, so I did some internet searching for inspiration and came up with the concepts that became krona. Krona means crown in Swedish and a Swedish crown is both the literal  Swedish royal crown as well as a braided hairstyle, both of which I tried to reflect in this pattern.

The braided band on both the tam and mittens is knit flat and seamed, and then the main pattern stitches are picked up from the band edges and knit in the round.  The mittens are identical on the front and back and can be worn on either hand.

Because Chickadee is a sport-weight yarn, I lined the mittens from the braided band up for extra warmth.

The tam sports the same colorwork pattern as the mittens, adapted to the hat shape. The tam is designed for head 20-22 inches in circumference and sits shallowly on the head.

I received a good deal of good-natured ribbing from my knitting friends while working on this pattern, because I tended to unconsciously match my outfit to my knitting (does anyone else do this?), so my outfit in the photos is a tribute to the Portland Knitters on the Town.

You can queue up the tam and mittens on Ravelry.

You can buy the patterns individually Mittens - $5.00 USD; Tam - $4.00 USD; or together for a $2.00 discount

Roadtrip: Rhinebeck!!

I'm leaving for a business/fun trip to Chicago today, but before I left I wanted to jot down a few words on my trip to Rhinebeck.

As group of seven of us left bright and early Friday morning, divided into, as the running gag was all weekend - an old people and a young people car - henceforth referred to as OPs and YPs.

The YPs car before:

We left early so we could make a detour to Northhampton, MA to visit WEBS: "America's Yarn Store." Yes, we stopped to buy yarn, before we spent a weekend at a sheep & wool festival, buying yarn.

WEBS is huge.

We even spotted a Great American Afghan (Karen's nemesis) live and in the wool.

And if the main store wasn't big enough, there's a warehouse.

We, as a group, found a thing or two... I ended up with a sweater's worth of Williamstown for my 2010 knitalution (to design and knit a full-sized sweater).

That night we landed at our hotel, ordered in some Chinese food (that came with a complimentary bottle of Grapette Soda), and read aloud from the Amish romance Novel, The Parting.

Saturday morning, we made sure we were at the gate at opening:

Our first stop was the Evergreen Farms booth for an angora. Maggie had recently lost her bunny Cocoa Bean and was debating whether she was ready for a new one. Petunia convinced her she was.

After a quick stop at She Shoots Sheep Rhinebeck Style photoshoot (I think  Maggie, Bristol and myself were models  #9, #8, and #7, respectively. I'll post a link when the slideshow is up), we headed out for the vendors.

After the first two barns I had checked off my three must-haves from my shopping list: 1750 yards fingering weight yarn in a natural grey for a Pas de Valse sweater from Snowshoe Farm Alpacas,  semi-solid sock yarn from Persimmon Tree Farm, and an eye-catching spinning fiber from Gnomespun Yarn Fiber Arts. Fortunately for my wallet I slowed my pace and bit and my final two pruchases of the day, buttons for my knitalution sweater from Jennie the Potter and a BFL/Silk braid of roving from Gale's Art waited until after lunch.

After lunch, we headed to the Ravelry lunch meet up and got to meet Sarah, Casey and Mary Heather.

We also made dead center behind the banner in the official meet-up photo, which hasn't been posted yet.

We spent a bunch of time with some folks who raised Soay sheep, an primitive sheep breed . I didn't note the farm unfortunately.

By 3ish - we were tuckered out and stopped for a apple cider doughtnut break, before leaping back into the fray.

We left the fairgrounds at 4:45. We left the parking lot an hour and a half later. (Noting for future trips, leave early!!)

After a break back at the hotel, the OPs went out to dinner and the YPs went to the Ravelry party in RedHook. We arrived too late for the goodie bags and cupcakes, but did get a chance to hop in the photobooth and chat with some lovely folks.

On Sunday, we packed up the cars (don't worry, we didn't really store the bunny in the back), had breakfast at a local diner and headed back for a few last hours at the fair.

We caught a sheep shearing (the sheep's not a fan)

and picked up a few more items. I snagged another sock yarn, this time from Sliver Moon Farm, and fought off Maggie for some into the whirled roving. I have received much mocking from my knitting group for my color pallette/phases and how my knitting often matches my outfit. I have been firmly ensconced in a blue and yellow phase (my Manu and a pattern I'm releasing at month's end is a good example), but it seems pretty clear that my next phase is definitely leaning green.

All in all, the trip was fantastic and totally worth the drive and slightly sketchy hotel. We're aiming for a return trip in 2012. If you're planning a Rhinebeck trip, I'd make the following suggestions:

• Book your hotel early. We did it about 3 months in advance and everything good had been booked by then.
• Break up your days and catch some events. We wish we had seen some more of the events or taken a class. It all gets a bit over whelming, just doing vendor after vendor.
• If you're doing both days, leave early on the first day. The traffic out of the parking lot was awful day one.
• Talk to as many strangers as you can. Every person I talked to (usually started by one of us complimenting the other's knit-wear) was super nice and friendly and you have an automatic topic of conversation. I wish I had takend the time to chat more.

Now off to Chicago! Be back Sunday.

Lady Grey Sew-Along: the Muslin

As I mentioned before, I'm participating in the  The Lady Grey Sew-Along.

I'm a teensy bit behind now, and since I'll be out of town for the next two weekends, I'll soon be really far behind. All that aside, I finished my final muslin yesterday.

With the exception of the two front flaps, muslin 1 and muslin 1.5 are exactly the same.  My fit turned out pretty well, largely because I took a lot of time grading the coat for my varying bust, waist, and hip measurements.  The one change to the front was to shorten the lapels to get rid of some gaping there.

But if anyone has any fit feedback, I've posted some photos below.

Front:

Back:

Back with arms raised:

Side:

Introducing: Knoll Rib Cowl

As anyone who knows me knows, when it comes to yarn, I have one of the world's smallest stashes. So it is perhaps surprising that this pattern came from the need to knit a yarn that sat in my stash for exactly two years.

Back before I did any spinning myself, I picked up a skein of handpsun from the booth for Enchanted Knoll Farms at the 2008 Common Ground Fair, weeks after I moved back to Maine.

I was in love with this yarn and called it my Rumpelstiltskin yarn, since it looked like straw spun into gold. (It's true name is Gold Dust Woman). I admired the yarn and petted the yarn and could come up with nothing worthy of this yarn.

Fast forward to September 2010. Faced with the need for a simple knit and feeling as if I had neglected this prize yarn for too long. I picked up my needles and tried to find a good stitch pattern for a scarf. My first attempt resulted in something that looked overwhelming 1980s in style, so I frogged, did a garter stitch sample, thought that was too boring and went back to the books.

I flipped through my stitch dictionaries and came across a squishy-looking rib stitch, which I promptly memorized incorrectly, and thus, came up with my own stitch pattern. I'm sure that this was not the first time something like that had happened.

As I neared the end of my then-scarf, I decided that the short length (about four feet long) would work better as a cowl, so I seamed it up, blocked it out, and there you have it.

I think this worked out as a perfect way to display a limited amount of a lovely handspun yarn. I used pretty much every inch of the 200 yards in my skein, but the cowl stretched a lot both ways when blocking, so it could take less if need be.

In case anyone else finds themselves in my predicament (lovely handspun, limited amount, no clue what to do.) I whipped up the pattern last night. You can grab it as a free download, using the link below.

download now

The Notary Dress

This weekend I finished my "Notary Dress" I showed a peek of last week. It's made of a navy blue wool/poly blend with an Egyptian cotton lining in the sleeves and bodice. The pattern is McCall's M5972 View A, but I've made a number of changes.

I've been wanting a classic navy blue dress for a while, and I picked the pattern for a number of reasons:

• The class silhouette. The straight skirt in particular, was different from anything else in my full-skirted closet.
• The open yoke. I knew I wanted to add some horizontal pleating to the yoke of the dress, so I selected a pattern where I wouldn't have to deal with moving any darts or seams.
• Wide neckline. I wanted a boatneck, which I find very flattering. From the envelope illustration this appeared to be a fit but in reality it was more of a wide scoop.
• On a side note, when it comes to patterns from the major publishers, my preference goes Vogue, McCall's, then Butterick. I've worked with Burdastyle patterns, but never a Burda one.  Maybe I need to branch out?

( If you're curious, the necklace, which I love, was purchased at the most recent Picnic fair, but the artist, Kriya, also has an Esty shop.)

So in terms of modifications, I made a ton. My go-to guide to design modifications is Adele P. Margolis's Make Your Own Dress Patterns. For fitting modifications, I use Fit for Real People.

• As with all commercial patterns, I cut out the pattern on different size lines for the bodice and skirt to match the envelope measurements, smoothing the lines with a french curve.
• I redrafted the neckline as a boatneck.
• During the tissue fitting (Gertie has a great series on tissue fitting that I highly recommend), I took a wedge out of the center front, to make the neckline lie flat and so the center of the pattern lined up on my center. I also rolled the shoulder seam forward about a 1/2 inch, which is typical for me.
• The bodice fitted, I cut out the lining and then went back to the pattern piece and added my three horizontal pleats. Each pleat is about an inch wide, with an inch folded under, so I added two inches at each pleat point. I will mention that once I got it on my body, I had to refold the top pleat some to get it to lie flat. I also blind-stitched the pleats downs.
• Raised the waist seam an inch or so to match my natural waistline.
• Added cap sleeves. I used the "sport sleeve" instructions from Margolis' book. Basically, I traced the armhole and then made a few muslins that I based into the actual dress until the fit was right.
• Because I added the sleeve, it made the side zipper a little difficult. If I had been smart, I would have added a seam allowance to the back and moved the zipper there. As it is, there's no closure, I just pull the dress on over my head, which works, but is not ideal. Actually getting it on is fine, getting the dress off is a little more difficult.
• I ended up slimming the extra I had cut into the skirt at the hips, so a smoother silhouette.

So after all that, how do I think it turned out?? Hmmm....

I give it my official seal of approval. (Seriously, I love this dress!!)

Coming Attractions

Just when you though she didn't sew anymore, coming soon to a blog near you: The Notary Dress, in the world's most lint-attracting fabric,  just a zipper and a hem (and some hand-finishing) away!

The Lady Grey Sew-Along: My first attempt at a coat!! (But first to find some fabric for the muslin...)

Lemon Blueberry Muffins

I have a love/hate relationship with blueberries that falls directly on the low bush/high bush divide. I'll admit it, before I moved to Maine I didn't know there were different kinds, but boy is there a big difference. The low-bush or wild blueberry is a thing of beauty, small, tart and delicious. The high bush blueberry on the other hand, I feel is gritty, heavy, and lacking in flavor. In short  - I am not a fan.

I wish I could say the berries in the recipe came from wild blueberries we hand picked somewhere in a distant field (and if you know a good place to pick wild blueberries in Southern Maine, let me know - please!!), but they didn't - but they are wild Maine blueberries, and those are tasty enough for me.

Lemon Blueberry Muffins

(adapted from Whipped's Cranberry Orange Muffins)

Makes 12-16 muffins

• 1 1/4 cups all-purpose flour
• 3/4 cup wheat flour
• 2 teaspoons baking powder
• 1/2 teaspoon baking soda
• 1/2 teaspoon salt
• 1/4 teaspoon nutmeg
• 1/2 cup (1 stick) unsalted butter, melted and cooled
• 2/3 cup sugar
• 2 large eggs
• 1 teaspoon pure vanilla extract
• zest
 of one washed lemon
• 1 cup buttermilk (or 1 cup milk + 1 Tablespoon lemon juice)
• 1  to 1 1/2 cup fresh or frozen wild blueberries

Preheat oven to 375°F.

If making buttermilk, mix milk and lemon juice and set aside until needed.

Grease  or line muffin cups. Combine flour, baking powder, baking soda, salt, and nutmeg in a medium mixing bowl.

Whisk together butter, sugar, eggs, vanilla, lemon zest, and buttermilk in a separate mixing bowl. With a wooden spoon or spatula, stir in the flour mixture until just combined.

Toss blueberries in a small amount of flour until coated and fold into batter. Fill each muffin cup about three-quarters full. Bake until golden and a toothpick comes out clean (20-24 minutes). Let muffins cool in pan for 5 minutes and eat warm with butter.

Sweater Love

I finished my newest sweater last week and while, realistically, it's too warm to wear it yet, I am in love.

The pattern is Manu by Kate Davies, and based on this pattern, I will happy knit anything else she writes up. The sweater itself if relatively simple, but such thought has been put into the details and finishing (with one small exception - the pleats don't mirror, and unlike many people on Ravelry, it didn't bother me enough to change it). The i-cord edging is so very polished looking and the shaping fits like a dream. I also enjoy that I learned a number of new techniques on the project, including the i-cord bind off and the pleating.

I made a few modifications - namely I went down a needle size to account for my yarn (more later) and I skipped the pockets, since I felt they would look weird unless my hands were in them all the time.

As for the yarn? The yarn is Malabrigo Silky Merino in Sand and the product of at least a month of searching for the perfect shade of mustard yellow. I'm sure it will pill like crazy in the future, being a single ply and all, but it is so soft and lovely to the touch that I have never enjoyed knitting with a yarn more. Based on a number of reviews that mentioned the post-blocking growth of this yarn, and my own gauge swatch, I ended up knitting everything a needle size down, which ended up being perfect.

I'm not wishing summer away, but as soon as it gets cold this sweater will get some heavy rotation.

Share and Share Alike

Yesterday I joined my knitting friends over at Maggie's for an afternoon of knowledge sharing and enabling each other's crafting addictions. Maggie taught Bristol & I crochet:

and I taught them embroidery:

Lynn taught Karen punchneedle technique:

Maria (who's trying to finish 12 knitting stash projects before Rhinebeck!) provided the locally made gelato:

And Chase, Jackson, Hobbes* and Cocoa Bean* provided fur and company (*not pictured):

Tour de Fleece: The Finish Line

After checking in with the Tour de Fleece police tonight, it was ruled that yesterday was my last day of le Tour - so here's a round up of everything I worked on since the 3rd.

Rust-Colored Llama from Botanical Shades

• purchased at Common Ground Fair 2009
• during the Tour I.... plied it
• 1.5 oz
• 120 yds
• 2-ply

Purple Llama from Botanical Shades

• purchased at Common Ground Fair 2009
• during the Tour I.... spun (about half of the total fiber) and plied
• 2.1 oz
• 190 yds
• 2-ply

Natural Turquoise from Enchanted Knoll Farms

• purchased at Common Ground Fair 2009
• during the Tour I... spun
• Currently at 1.4oz

I probably won't spin everyday, but I'm in a good grove and I'm loving the turquoise fiber, so I'll try to keep this roll going. And at the rate I'm going, I'll have used up all my fiber by Rhinebeck, so I can pick up a bunch more guilt-free!