Slow Fashion October

If you hang around the sewings/knitting/maker community on social media, it's highly likely you've run into someone posting about #slowfashionoctober, started by (you guessed it), Karen Templer of Fringe Association. 

For those unfamiliar with the term, slow fashion, like the more common slow food, has many definition which may (or may not include): sourcing locally, sourcing ethically,  limiting purchases, and growing/making your own. In general, it is about being more conscious about your clothing purchases and is a reaction to "fast fashion," just like slow food is a reaction to "fast food." 

I wasn't really intending on participating, because, as with Me-Made-May, I feel that these sorts of things are better at engaging those in the early part of their making journeys. But life being what it is, I found I did have something to say. 

I sew and I knit the vast majority of my own clothes.  While I had been adding special me-made pieces to my wardrobe for several years, I really started making a habit of it back in 2014, when I made a pledge to myself to only purchase all my clothes from ethical sources. I did a lot of research into brands and while I found some real winners, a lot of what was out there didn't fit my style, or my budget. Since I already had the skills, it just became easier to make my own.

Fast forward a few years and I'd gotten a nice wardrobe of clothes I felt good about. Then I started taking some medication, which was/is super helpful for my anxiety, but came with the side effect of some significant weight gain.

The mental health trade off was more than worth it, but suddenly,I had a closet full of clothes that didn't fit at all or barely fit and were no longer flattering.

How do you do slow fashion when you legitimately need all new clothes?


It's something I struggled with a lot over the past year. To walk into a store and buy the things I needed felt like a failure of my morals, to continue to wear clothes that didn't fit was a daily knock on my self-esteem. 

I hit up the thrift and consignment stores, but the choices in my new size were extremely limited - there were literally only two pairs of shorts in my size in an entire Goodwill on one trip. I looked into online consignment sites and it wasn't much better.

So I returned to my sewing skills. But my time to sew is limited to a few hours on the weekend - so it's not like I can churn out a dozen items just like "that."

So, I came back to what the core of slow fashion is about for me:

What do I really need? How much is enough?

When you have no pants/trousers, two pair that fit is an amazing amount of variety. These photos are of one of those two pairs. The others are the navy blue cuffs you see in the cushion photo. Both are Thurlow Trousers, which I love because you fit the waist band last, making it easy to adjust and they have extra seam allowance built in for just that purpose.  I sewed them both in the past month. 

Last week, I cleaned out everything in my closet that didn't fit anymore and put in the pile for donation or (if I loved it) into the attic.  That left me with basically a) things I've sewed since April, b) knit dresses, and c) skirts. (T-shirts and sweaters that live in the bureau also mostly made the cut).  There's not a lot there, but I know I can wear every single piece of it, and that is an excellent kind of choice. 

There are some noticeable gaps - I'd like a grey sweater, a few more work-appropriate long-sleeved shirts, some cords, and pair of jeans that I don't have to fight the zipper on, but it seems like a manageable list.  And I know exactly what should be on that list, because of they're the things I hated having to put away. 

I realize that I come from a place of privilege in that the limitations are all of my own making and not driven by financial necessity, but I have also found it empowering to know that self-constructed or not, I can work within these limitations.

A Few Other Thoughts on Sustainability

Though I'm definitely "From Away" and will always carry my California Girl upbringing in my heart, I have been accused more than once of having a "pioneer woman" and/or Yankee sensibility when it comes to 1)asking for help, 2) hard work and 3) waste.

I always feel awful about throwing away fabric, so I don't. 

I have saved literally every scrap of fabric leftover from cutting out a pattern for six years, or at least since we moved into our house in 2011.

Those scraps, along with all the old knitting swatches I don't need anymore, and a few pieces of sofa stuffing our dog ripped out, filled about 5 gallon-sized Ziploc bags in my closet. A few months ago, I sewed up this rather comfy floor cushion and stuffed it with those scraps. It's super heavy, but worked great as a footstool. The funny thing is, I had to make the cushion with a zipper, because there is still room for more!! 

I was also faced with a dilemma when I did that closet clean-out and found a mouse (yes, ick!) had eaten several very large holes in a cardigan that would have otherwise still fit. Do I rip out the zipper and give it up for a lost cause, or can I fix it? 

Even though I knit this sweater in 2010, I still had some of the yarn around, so I decided to give the mending a go. Should you be up for trying the same, here's my methodology: 

For large holes like these, I go down to the row beneath the first intact row under the hole and pick up enough stitches that there's 2-3 extra stitches on either side of the hole. From there, I knit back in forth in pattern, attaching it to the body by knitting two stitches together (one from my patch and one from the body) on either end of the patch, then Kitchener stitch the top together.

It took me about 30 minutes to fix the two large holes, which considering a sweater takes weeks to knit up in the first place, was a pretty fair trade off.  The key, I think, was to do it right away, (I fixed it the day after I found the holes) because once it goes into that mending pile, I seem to never really get around to it, making me question its importance in the first place.  


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Tried and True Review: The Sew U Ruffle Blouse

The ruffly shirt in 2014

As a craft-blogger, who reads a lot of craft bloggers,  it seems as if we'll often make something, take some photos, put together a blog post, and it's on to the next project with the previous one never to be seen or mentioned again in blogland. We share how the project turned out fresh off the needles or sewing machine, but we rarely take a look back at how it fits into ours lives. (Me-made months being the major exception).

Part of the reason I started blogging is because I wanted to share my creations with a like-minded community of makers. The excitement of showing off what I just made.  Heck - finished object  is my 2nd most frequently used tag and accounts for 25% of my posts here.

But this year I've been thinking a lot about sustainability of fashion in general and of my own closet in particular. Emma's post on wardrobe metabolism and the life cycle of clothes was one that really hit the nail on the head for me. One item in particular that should out from that piece was bullet #3 - "Keep tabs out what works & what doesn’t."

This isn't about reviewing the pattern, but the project. If you see someone (or multiple someones) making a the same pattern multiple times, you can get the hint that it's a keeper. But individual projects can vary so much, even out of the same pattern. I'm certainly guilty of getting caught up in shininess of a newly-completed project only to find out weeks, or months down the road that it just doesn't work - the fit was off, the fabric was a poor match, it just doesn't fit my lifestyle anymore (or never did).  Or perhaps I didn't care for it at first when I was being over-judgmental on my construction technique at the time, but I now wear it at least once a week.

So in an attempt to show how my projects have stood the test of time and/or to learn from the mistakes of my yesterdays, I'm going to better document the role of handmade items in my life in two-ways:

  1. I'll tag the post anytime something I made appears in a post, even if it isn't new. For my clothes, it's me-made; for LMC's stuff, mama-made; and for items I made for Mr. Cleaver, miz-made.
  2. The Tried and True Review, where I'll look back at old project and discuss how it's held up since I made it, both successes and closet rejects.

First up?

Ruffly Shirt

The Sew U  Ruffly Shirt

Made: August 2008, the last thing I made in Chicago, before I moved to Maine. Almost six years ago!

Update: I still wear this -  actually, I'm wearing it today. I wear it 2-3 times in a month in the summer then retire it for the cooler weather.

Fit: It was a relaxed fit to begin with, so this one had held up when weight changes pushed other shirts aside.

Style: It's cute, without being overly cutesy.  It's a little bit retro with the polka dots and it looks nice enough for work.  I need some more similar things in my closet.

Materials: For $2 fabric from a garage sale, this has held up surprisingly well. It's super-duper lightweight cotton, so I have to wear a camisole underneath, but it's great for summer. I do have to iron it after washing though.

Construction: In truth, this is not the greatest sewing job, but it hasn't effected it's wearability. The collar stand and bias binding on the sleeves were both new techniques to me at the time and are rather sloppy in places. I could still use work on collar stands. There are also multiple lines of stitching along the ruffle on one side where I had some trouble in attaching it. But it's all white on white, so unless you're unreasonably close, you wouldn't notice.

Lesson(s) Learned: Mistakes are most obvious to the maker and don't mean that it isn't still usable

Final Verdict: It's a keeper, and I'd make the whole thing over again, but better this time.

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