Fall Palette Challenge: School House Tunic

  It's rare that a project comes together quickly for me, usually because I gravitate toward patterns with lots of fiddly details (see dress with bow neckline and pleated sleeves). So while it's been in my to-sew queue for quite some time, the School House Tunic, was a bit out of the norm for me - particularly since I cut it out and sewed up it in about a day.

I made the shirt-length pattern exactly per the instructions with one addition: a button and thread loop mid-way up the placket, which I find to be a neutral additional. It doesn't really add anything, but it doesn't detract either.

The fabric was from my stash, and considering my usual fabric shopping habits, it probably came from Denver Fabrics. The texture is akin to those soft cotton dishtowels, which makes for a very cozy shirt.

I'm not sure if the empire-waist and pleated skirt are the best shapes for my figure, but the shirt is so comfy that I'm pretty sure I'm going to make a at least one more in flannel for the fall/winter and another in white linen for the summer.

Fall Palette Challenge: the Houndstooth Dress

  Even with a trip to the Botanic Gardens, I managed to finish two of my Fall Palette Challenge pieces this weekend, which I'll cover in two separate posts this week.

First up: The Houndstooth Dress

As I said in my original palette post. I saw this dress done up as a sample in JoAnns and knew I had to make it. The pattern is New Look 6909,View C and while I debated about doing the pockets,fearing they'd "poof out" I eventually decided to the pattern as is.

The seams were finished with a zigzag stitch for exposed seams and pinking for covered seams, as the fabric tended to be rather fray-prone (as I find is often the case with woolens). Though it tends to wrinkle a bit more than I like (!!), and the curvy fit makes me feel as if I should be wearing control top pantyhouse, I love this fabric as this dress.

I'm particularly found of the details on this one, the funnel collar, the bow, the pleated cap sleeves, yes, even the pockets and while it took a bit of time nothing was particularly difficult to put together. A declare this one a win!! (especially with the red shoes)

Oh and according to Wordpress, this is my 300th post! So yay for that too!

Introducing: Shoots & Ladders

I'm pleased to formally introduce Shoots & Ladders, the design I teased a few week back. Shoots & Ladders is an any season cowl, inspired by the orderly rows of plantings in gardens. I wasn't able to plant a big garden this year, but I did produce a few of these cowls.

The spring/summer version of the cowl features Elsebeth Lavold's Hempathy, which results in a drapey cowl, with well defined lace motifs

The more ethereal Winter version is knit in Rowan's Felted Tweed DK, resulting in a more structured cowl with a bit of halo.

Both cowls utilize approximately 300 yards of DK weight yarn and is knit in the round. The lace pattern is charted and decreases in the "ladders" section give the cowl a pleasing tapered shape.

The pattern is available for $4.00 USD

or you can queue it up on Ravelry

Photos, except detail shots, by Bristol Ivy.

Fall Palette Challenge

Although historically my sewing tapers off after summer, I've decided this year to participate in Colette Patterns Fall Palette Challenge. The goal - make a unified palette of items within 8 weeks! I'm going to be overly ambitious here with my challenge projects, but here we go!

For the challenge, I'm using all fabrics from my stash. They are (clockwise from top left corner): super pale peach silk charmeuse from Denver Fabrics, large check gingham shirting (source unknown), green stretch twill from Denver Fabrics, and blue/black wool houndstooth from Fabric Row in Philly.

My first project up will be New Look 6909,View C. I saw this dress in a display at JoAnn's and knew I had to make it. The fabric will work perfectly, as it's both warm and work appropriate!

Second up, Clover from Colette Patterns in the green twill. I was so excited to see Colette do a pants pattern, especially since pedal pushers/clamdiggers/capris have been on my to-sew list for ages. If I have time, I'd love to do a pair in black as well.

Thirdly, Sew Liberated's School House tunic in the gingham. This is a pattern that's been on my wish-list for ages and I think the fabric will be a great fit. I'm leaning toward the shirt length version.

If I have time (and I assuredly won't) I'm aiming to use the silk charmeuse for a Cinnamon Slip.

So there's my pieces for the Fall Palette Challenge. I'll keep ya'll updated as I go along, and let me know if you're playing too!

Introducing: Zoetrope

I had so much fun coming up with this pattern, though like most of my patterns its seems,  it had a long time going from inspiration to release.

Shortly after I took up running* last year, I quickly learned that if I wanted to run in the cold I would need a good hat and being a knitter, I thought I could create an awesome running hat. I was in the midst of a colorwork binge and thought a running hat with a running motif would be fun, and then I remembered my history of photography class from college and Zoetrope was born.

In that class, one of the photographers we learned about was Eadweard Muybridge, who in 1877 accidentally helped create the motion picture by winning a bet for a friend. The bet was whether or not all four of a horses hooves left the ground while in a full gallop, by utilizing a series of cameras, Muybridge proved that they did (wild times in 1877!).  Muybridge also discovered that by placing the series of images on a spinning disc, when viewed though a single opening, the spinning image appeared to move. Like this!

History lesson aside, I took Muybridge's "Horse in Motion" images and converted them to a colorwork chart, which is framed within a filmstrip. Each of the horse panels are different, meaning that if you spun it fast enough and while looking through a slit, the horse would appear to be running. Or you could just look back up at the animated gif above.

The hat is knit out of Quince & Co's DK-weight Chickadee in Egret (white) and Crow (black). One of my testers also successfully used a fingering weight yarn.

Zoetrope comes in three sizes: 17.5, 20.5, 23.5 inch/ 45, 52, 60 cm circumference, features an optional braided tassel, and, if I may say so, is a little addictive to knit, as once the horses start to appear, I just wanted to keep going.

Zoetrope is available for purchase for $5.00 USD

or you can queue it up on Ravelry.

*haven't really run since.

Lonsdale in Bloom

Although my internet pal Tasia at Sewaholic launched her pattern line in November 2010, it wasn't until this week that I finally got around to making one of her patterns, the recently released Lonsdale Dress.

When I first saw the pattern in her newsletter I knew I had to make it, and furthermore that I had the perfect fabric for it. Except that turned out that I only had half as much of it as I needed, in a one-way large repeat pattern and there was no way that I was going to make it work.

So I did some stash diving and pulled out this purple chrysanthemum (?) print I snagged at Marden's on a field trip with Maggie almost two years ago. It was still a one-way pattern, but with a bit of shifting pieces around, I got the whole thing cut out. Which was the most difficult part of the whole project.

I threw caution to the wind with this project and cut it out in my recommended size (all one size! thanks to her "pear-sized" grading) and just went at it  - no muslin, no tissue fitting, no nothing, and it fits great.

Tasia put together a truly lovely pattern. The whole thing is seven pattern pieces, with simple construction, which meant I could take the time to focus and finish the project really nicely. The included instructions are clear and I used the sew-along posts to do some additional details like French-seamed pockets and stay-tape on the bodice. I'm super proud of the way the inside of this dress  from seam finishes to zipper to hem.

I love the way this dress turned out, and if you're reading this Tasia, I can't wait to see what you come up with next!

The Things We Do For Our Craft

Bristol and I headed out to the Falmouth Nature Preserve this past Saturday to do a photoshoot for a pattern I'll be releasing in a few weeks.

The things we do for our craft. :)

In the Studio Part Two

Wow, it's been a while since I posted. But with the past month I've had it's not surprising. Here's a quick recap before I move on to new things. Since July 2nd:

• Got a dog
• Mr. Cleaver turned forty
• Released the Smocked Tank

• Tour de Fleece happened and I have about 600 yards of handspun yarn
• Turned 28
• Saw the final Harry Potter movie
• Helped write and turn in our major funding application at work
• Took a business trip to Buffalo and spent inordinate amounts of time in the Philly airport

• Saw an Elvis Costello concert
• Released Alaria with Quince & Co.
• Submitted a potential project packet to a knitting mag
• Painted and revamped my studio
• Knitted a design for another knitting mag to be mailed off today
• Had a giant BBQ in my backyard with over 30 friends and a live band.

Whew! and I thought summers were supposed to be slow!

I'll post about the BBQ later this week, but today I wanted to show off my newly revamped studio space.

As you may recall, when we moved in, the first floor bedroom looked like this:

In the early days of moving in, we stripped the wallpaper and I'd been using it as a studio in this configuration.

While the hearts and bears stenciling was an improvement over the baseball wallpaper, I still wanted an update. So my big birthday request was to paint the studio (I ended up with a much bigger gift than that, but more on that later this week).

There was a heat wave the weekend of my birthday, so we waited to paint until the next weekend.

Steinbeck was very helpful and only stepped in paint once.

The color is Yolo Colorhouse Water .02 - a fantastic blue that looks at alternate times of day anywhere from periwinkle, to lilac, to grey. The trim is the same Air .01 as in the living and bedroom.

The other major change comes from hanging things on walls, particularly the addition of the pegboard.

Pegboard makes me feel so organized.

Some other notable items - the original Ms. Cleaver portrait by Sharon Barto and three old knitting magazines courtesy of Bristol Ivy.

I still want to put some kind of yarn storage on the wall to the left of the loom, crates or hatboxes maybe and eventually all the carpet in house should be replaced, but other than that, I'm pretty darn happy with how it turned out and I can't wait to start making stuff in there!

Introducing: Alaria

photo © Carrie Bostick Hoge

Yesterday, I had the absolute and distinct pleasure of releasing a pattern with Quince & Co.

Every since this Maine-based yarn producer opened up shop literally up the street from where I work, I've been a hugefan and when the opportunity arose to publish this shawl pattern with them, I leapt at the chance!!

I still can't believe that that's my shawl up there. It's more to do with Carrie's photography than anything else, but man, I love the Quince photos.

photo © Carrie Bostick Hoge

One of my knitolutions for the year was to design a shawl and I knew I wanted to do something ocean-inspired, without leaning on my usual oceanic blues and turquoises. (Not that I've given up on those). When I picked up these skeins of Tern and saw the colorway was called Seagrass, that settled it.

Alaria (the name is from a genus of seaweed) flows between three simple lace patterns reminiscent of aquatic foliage. The shawl is a traditional triangle shape and all lace work is done on the right side rows only.

The sample was knit in two skeins (about 440 yards) of Quince & Co.'s Tern - a fingering weight silk/wool blend. It blocks beautifully and the silk gives it just a hint of sheen. (I will note that when I knit the sample, it used up all the yarn except for a teeny-tiny amount, so depending a knitter's gauge, it could sneak into a third skein).

As designed, the shawl is a great size for throwing over your shoulders or bunching up as a scarf, and should a larger shawl be required, additional repeats of 24 rows can be easily added to the first and/or second lace patterns.

photo © Carrie Bostick Hoge

You can queue up the pattern on Ravelry, or purchase the pattern via Quince & Co ($6 USD).

My Apron Collection

A few weeks ago, Casey of Elegant Musings asked for fellow bloggers to join her in a blog tour of Cherished Collections and having previously mentioned my "wicked apron collection," and made no secret of my love of aprons, I jumped at the chance to share my, wait for it....... aprons as part of the tour.

I'd like to say my love affair with aprons began in my middle school home economics class, when our final sewing project was a simple bib apron. In true 90's style, my featured sunflowers and was sadly lost in my first post-graduation move after college. But in truth, my apron obsession probably came because I lost that apron and needed a replacement.

I picked up another bib apron from ebay, in blue gingham, which I still use, but it was then I discovered the adorable half apron, of which I have now amassed eleven. I used to have an even dozen, but I passed one featuring a chicken off to a friend.

My first, and still on of my favorites, also came from ebay and features adorable pockets in fishy fabric, which I later recreated the shape of for a Christmas gift, when I lived in Chicago.

Surprisingly enough, only one of my collection is one I made (yellow gingham),  with most of my apron sewing skills having been put to gift-making.

A good chunk of my aprons have come from antique stores, where I grabbed them for around $5-6 dollars (black & white and embroidered pink). At least one has come from a garage sale (grey gingham with chicken scratch). A few I can't recall where they came from.

But my most precious one are the ones that have been given as gifts, including the Christmas bells from a roommate, the green hostess apron from a knitting friend, and the rose hostess apron from a co-worker- perhaps my most precious one, because it was her grandmothers. As was the plain white one I embroidered with Raggedy Ann.

And I use each and every one of them, because as they become dusted with flour and sugar, they become all the more cherished to me.